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Cover image: Farrar, Straus and Giroux, Transcription, used under fair use for review.
Publishers Weekly has named its Top 10 Books of 2026, and my to-be-read pile would like a word. Two of the ten are about artificial intelligence, one is a 600-page Jamaican epic, and one is a novel about a broken phone. Somehow that adds up to a very good year.
PW picks its Top 10 from its 150 best books of the year, and reviews director David Adams writes that this year’s ten “might be the strongest in recent memory.” Big talk. Having gone through the list, I’m not going to argue. (See the full Top 10 at Publishers Weekly.)
How the list works, in about a minute
Publishers Weekly is the book trade’s magazine, and its reviewers cover books ahead of publication. Each fall the reviews team picks its best books of the year and then a Top 10. The Top 10 page runs in alphabetical order, so there’s no winner and no number one. Fiction and nonfiction sit side by side.
This year’s list is heavy on big swings: five novels and five works of nonfiction. PW’s Best Books 2026 package names Ben Lerner as its cover author, and his Transcription is also the shortest book on the list.
Here is the full list, then the three I would actually hand a busy friend.
The list
All ten, in PW’s alphabetical order, with the publishers PW names. My one-line takes are summaries, not PW’s wording. Formats are what Amazon US and Audible list right now; editions shift, so check the product page before you buy.
- The AGI Chronicles: The Inside Story of the Race to Create an Artificial Superintelligence by Kevin Roose (Farrar, Straus and Giroux): Reporter Roose takes you inside the leading AI companies as they race to build machines that out-think us. Less “what if,” more “here’s how we got here.” Formats: Hardcover, Kindle, Audible.
- The Castle: Adventures in a World of Unraveling Men by Jon Ronson (Riverhead): It starts with a steel heir trying to set up a harem in a New England castle and widens into why some famous men have melted down in public over sex and gender. Ronson, bemused as ever. Formats: Hardcover, Kindle, Audible.
- Cool Machine by Colson Whitehead (Doubleday): The final book of his Harlem Trilogy, about the thin line between crime and straight life and what people will do to make it in New York. Formats: Hardcover, Kindle, Audible.
- The Danger to Be Sane: Creativity and the Eccentric Mind by Rosa Montero, translated from the Spanish by Lindsey Ford (Europa): Starts as a study of writers and madness, then turns into Montero’s hunt for an impostor who passed as her for years. Formats: Hardcover, Kindle, Audible.
- The Disappearers by Marlon James (Riverhead): A big, sensual, unsparing novel about queer life and homophobia in Jamaica. Amazon lists the hardcover at 640 pages. Formats: Hardcover, Kindle, Audible.
- The Palm House by Gwendoline Riley (New York Review Books): A London literary magazine under clueless new owners, plus class, plus the narrator’s very difficult family. Short and sharp. Formats: Paperback, Kindle, Audible.
- Public Access Afterworld by Jane Schoenbrun (Hogarth): The debut novel from the filmmaker behind I Saw the TV Glow: a cult leader, a possible portal to another universe, and a trans coming-of-age story that is also horror. Pub date: October 27, 2026. Formats: Hardcover, Kindle, Audible.
- The Rise and Fall of the Artificial State by Jill Lepore (Liveright): The Harvard historian argues that government by AI is the end point of Hannah Arendt’s totalitarian state, and that its fall is coming. Formats: Hardcover, Kindle, Audible.
- This Vast Enterprise: A New History of Lewis & Clark by Craig Fehrman (Avid Reader): Lewis and Clark with the dark parts left in: a harder look at Sacajawea’s story, the enslaved man on the journey whom Clark refused to free, Lewis’s addiction, and Clark’s later betrayals as superintendent of Indian Affairs. Formats: Hardcover, Kindle, Audible.
- Transcription by Ben Lerner (Farrar, Straus and Giroux): A short novel set off by a broken smartphone, about what technology does to art, attention and the people we love. Formats: Hardcover, Kindle, Audible.
Two of the ten are about AI, which tells you what kept everybody up at night this year. If you only have room for one, Roose is the story and Lepore is the argument.
Where to start (for busy readers)
Some of these are doorstops. The Disappearers runs 640 pages in hardcover and almost 23 hours on audio, and Public Access Afterworld is 608 pages. Worth it, maybe, but not this week. These three fit a real schedule.
1. Transcription: the one you finish on a Sunday
What it is: Ben Lerner’s new novel, a contemporary story that starts with a broken smartphone and the panic that follows, and turns into a book about what technology does to art, attention and relationships. PW calls it Lerner’s finest novel and praises its “brisk pacing and tidy page count.”
Who it’s for: Anyone who has felt naked without their phone and is a little embarrassed about it. Also anyone who wants literary fiction that won’t take a month.
How long: 144 pages in hardcover. The unabridged audiobook, read by Seth Numrich, runs 4 hours and 15 minutes.
Formats: hardcover, Kindle, or Audible. Kindle feels right for a book about screens. Paper feels like a small act of rebellion. Your call.
2. The Palm House: the sharp, short one
What it is: Gwendoline Riley’s novel about a London literary magazine taken over by clueless new owners, with class tension and the narrator’s dysfunctional family running underneath. Amazon also notes it was longlisted for the 2026 Booker Prize.
Who it’s for: Readers who like their fiction dry, funny and a bit merciless. If you’ve ever worked somewhere that got “restructured,” you will feel seen.
How long: 224 pages in paperback. The audiobook, read by Nathalie Buscombe, runs 4 hours and 53 minutes.
Formats: paperback or Kindle. The Audible edition is on Audible; I couldn’t find it as a separate Amazon listing to link here.
3. The AGI Chronicles: the one everyone will argue about at dinner
What it is: Kevin Roose’s inside account of the companies racing to build artificial superintelligence. PW calls it “entertaining and essential” and says it skips the hypotheticals to give you a front-row seat to how we got here.
Who it’s for: Anyone who uses AI tools every day and wonders who is steering. Also anyone who wants to sound informed when a relative brings up robots over Thanksgiving.
How long: 448 pages in hardcover, so this is the long pick. The audiobook, read by Roose himself, runs 13 hours and 3 minutes, or about two weeks of commutes.
Formats: hardcover, Kindle, or Audible. At this length, audio is the busy-reader move, and the author reads it.
Bonus: The Castle
If you want nonfiction that reads like a dark comedy, try Jon Ronson next. PW calls it a look at something “both sinister and ridiculous” about the present moment, which is a fair summary of the last few years. 336 pages in hardcover (Kindle on the same page), and Ronson reads the 8-hour-51-minute audiobook himself.
Wins and watch-outs
Wins
- Real range: novels, history, reportage and a book about writers and madness, all on one list.
- Short options: Transcription and The Palm House are each under five hours on audio.
- Author-read audio: Roose, Ronson, Lepore and Schoenbrun all narrate their own audiobooks.
- Brand-new: the newest of the ten, Public Access Afterworld, has an October 27, 2026 pub date.
Watch-outs
- Heavy topics: AI dread, homophobic violence and a hard look at Lewis and Clark. Not much beach reading.
- Big page counts: three of the ten run past 500 pages in print.
- Hardcover prices: most are new hardcovers, so Kindle or the library will save you money.
- Not a ranking: the list is alphabetical, so don’t read anything into the order.
Skip it if…
Skip this list if you read to escape. There is no romance here, no cozy mystery, and the closest thing to a thriller is a cult leader with a portal. That’s fine. Bookmark it for January, when everyone is doing their “books I meant to read” resolutions.
Bottom Line
PW’s Top 10 is serious without being homework. Start with Transcription this weekend, put The AGI Chronicles in your ears for the commute, and save The Disappearers for when you have a long winter and a lot of nerve.
Behind the bookmark

Lane Adler
Lane Adler writes Aladyne Reads for busy people who still want the next good read. He covers Personal Growth plus Romance, Thriller, Mystery, Sci-Fi, and Fantasy, and picks books he’d actually recommend to a friend. Life doesn’t leave much quiet couch time—so the reviews lean Audible and Kindle, with print still welcome when you want paper in hand.
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